Is If It's Tuesday, This Must Be Belgium the Quintessential Jet-Set Comedy of 1969?
Released amidst a decade brimming with social and cultural upheaval, “If It’s Tuesday, This Must Be Belgium” offered a delightful dose of escapism tinged with subtle commentary on the burgeoning tourism industry. Directed by the veteran filmmaker Waris Hussein, known for his work on stage productions and television dramas, the film marked a foray into lighter fare.
The plot centers around an ensemble cast led by the effervescent Maximilian Schell as Adam, a somewhat bewildered Austrian travel agent tasked with shepherding a gaggle of tourists on a whirlwind tour of Europe. The group comprises a delightful mix of archetypes – the perpetually complaining Mrs. Freebody (played with acerbic wit by Maggie Smith), the lovelorn and slightly awkward Miss Edna (Sandy Dennis), the boisterous and amorous General (a scene-stealing performance by Terry-Thomas), and the intellectual but introspective Mr. Jones (played with understated elegance by Michael Jayston).
As Adam attempts to navigate the logistics of a tightly scheduled itinerary that involves hopping between major European cities in rapid succession, comedic chaos ensues. Delayed flights, lost luggage, cultural faux pas, and romantic misadventures pepper their journey. The film hilariously captures the absurdity of mass tourism, poking fun at the rigid schedules, overcrowded landmarks, and often superficial experiences that come with organized travel.
“If It’s Tuesday, This Must Be Belgium” thrives on its impeccable comedic timing, witty dialogue, and charmingly flawed characters. The script, penned by the husband-and-wife team of Michael Pertwee and David Butler, balances broad humor with clever social commentary.
The production design vividly captures the spirit of the late 1960s, showcasing a blend of sophisticated European locales and kitschy tourist traps. From the grandeur of the Eiffel Tower to the quaint canals of Venice, each location is rendered with an eye for both authenticity and comedic exaggeration.
Exploring Themes: Tourism, Identity, and Existentialism
Beyond its surface-level humor, “If It’s Tuesday, This Must Be Belgium” subtly probes deeper themes relating to identity, cultural exchange, and the search for meaning in a world increasingly dominated by mass consumption.
The film juxtaposes the frenetic pace of the tourist itinerary with the internal journeys of its characters. Adam, initially enthusiastic about his role as tour guide, gradually becomes disillusioned with the superficiality of the experience. He longs for genuine connections but finds himself caught up in the logistical whirlwind.
Meanwhile, each traveler grapples with their own sense of self and place in the world. Mrs. Freebody’s constant complaints mask a deep-seated loneliness, while Miss Edna seeks romance and adventure to escape her humdrum existence. The General, consumed by his past glories, finds solace in fleeting conquests. Mr. Jones, introspective and observant, uses the journey as an opportunity for self-reflection.
The Soundtrack: A Timeless Blend of 60s Pop and Orchestral Scores
“If It’s Tuesday, This Must Be Belgium” benefits from a lively and memorable soundtrack that perfectly captures the spirit of the era. The score, composed by John Barry, renowned for his work on James Bond films and other iconic productions, seamlessly blends traditional orchestral arrangements with upbeat 60s pop influences.
From the whimsical theme song to the energetic music accompanying the travel montages, the soundtrack enhances the film’s comedic energy while also underscoring moments of introspection and emotional depth.
| Song Title | Artist |
|---|---|
| “If It’s Tuesday This Must Be Belgium” | Cleo Laine |
| “The Continental” | Nelson Riddle Orchestra |
| “Love is Blue” | Paul Mauriat Orchestra |
A Legacy of Laughter and Cultural Reflection
While “If It’s Tuesday, This Must Be Belgium” may not be widely recognized as a cinematic masterpiece, it holds a special place in the history of 1960s cinema. Its enduring appeal lies in its timeless humor, charming ensemble cast, and subtle exploration of social and cultural themes.
The film remains a delightful reminder of an era when jet-set travel was still a novelty, and the world seemed full of possibilities. It invites viewers to reflect on the complexities of tourism, the search for identity, and the enduring power of human connection – all while enjoying a hearty laugh along the way.
Production Details:
| Feature | Description |
|---|---|
| Director: | Waris Hussein |
| Writer: | Michael Pertwee, David Butler |
| Starring: | Maximilian Schell, Maggie Smith, Sandy Dennis, Terry-Thomas, Michael Jayston |
| Music: | John Barry |
| Cinematography: | Denys Coop |
| Production Company: | Paramount Pictures |
“If It’s Tuesday, This Must Be Belgium” serves as a charming time capsule of the 1960s, offering a blend of witty comedy, cultural commentary, and timeless appeal.